Jazz improvisation is hard

Jazz Improvisation is Hard…and Why That’s a Good Thing!

By

Eric

Perspectives

Think about this for a moment. Your favorite musicians. Michael Brecker. Freddie Hubbard. Chick Corea. Sonny Rollins. Each and every one of them started at the bottom. Every single one of them began without any musical knowledge or technique on their instrument. And all of them toiled for years before anyone knew their names. It’s …

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how to be a mediocre musician

How To Be Mediocre

By

Forrest

Inspiration, Perspectives

While we typically focus on ways to improve, this article is all about how to be mediocre. Now, chances are you don’t want to be mediocre, so while many of these listed points are tongue-in-cheek, they will provide you with insight into what not to do, if you wish to be better than mediocre. So, …

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the four triads in music

Do You Know Your Four Triads?

By

Eric

Chords, Composition, Ear Training

In the recent article Hearing in Color, we discussed how to develop the technique of hearing individual chord tones in the context of triads and 7th chords. Just as the individual chord tones in a chord have identifiable colors, the chords themselves have distinct sonorities that set them apart from one another. The key to …

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rhythmic ear training

Hearing Time: Rhythmic Ear Training

By

Eric

Composition, Ear Training, Playing Techniques

On this site we frequently write about the benefits of ear training for improvising, with  good reason. Hearing and singing intervals, melodies, chord progressions, etc. is one area of daily practice that will directly affect your improvising for the better. However, ear training isn’t only limited to improving your harmonic sensitivity. Developing rhythmic awareness and …

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getting more from transcribed solos

Getting More From Transcribed Solos

By

Eric

Playing Techniques, Transcribing

Transcribe, transcribe , transcribe. It is what you’ve been hearing since you started to learn how to improvise…and for a good reason. Transcribing is one of the best ways to learn the stylistic language of jazz, improve your ear and in short, become a better all around improviser. The mere act of learning a solo …

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overcoming obstacles in jazz transcription

Overcoming Obstacles in Transcription

By

Eric

Transcribing

Whether it’s figuring out difficult double-time passages, navigating advanced technical lines, or even finding the motivation to do it everyday, transcribing can be difficult. Transcribing, while essential to learning to play the jazz language, is often one of the most demanding tasks to complete on a regular basis for improvisers. Two readers recently asked questions …

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idea versus technique

The “Idea” vs. the “Technique” in the Mind of the Artist

By

Eric

Perspectives

Imagine that you’re strolling through an art museum on a lazy afternoon. Leisurely, you walk past magnificent paintings, weave between rows of sculpture, and meander through various galleries, each showcasing a bygone era of human artistic accomplishment. By chance, a particular painting catches your eye from across the room. You’re immediately struck by the realistic …

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transcribing whole solos

Transcribing Whole Solos Is More Than You Thought

By

Forrest

Transcribing

In my lesson on Monday I talked about why you’re not getting the results you want from transcribing whole solos. For the most part, that article was written with respect to language: how to make useful language from a whole solo. While gathering, understanding, and implementing language is one of the most important aspects of …

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