Inspiration for improvisers
Forrest 
By Forrest
Michael Brecker is one of the greatest saxophonists to arise after John Coltrane. Like Trane, he took the instrument places it had never gone before, adding new fingerings, effects, and extended techniques that made him seem like more than a man…… Superhuman. That’s the word that comes to mind when I think of Michael Brecker. …
By Forrest
Bebop “heads,” what jazz players sometimes call the melody of a tune, tend to be some of the trickiest and most technically demanding strings of notes you’re likely to encounter. Much busier than classic jazz standards, these intricate melodies are generally more difficult to learn, understand, and commit to memory. So what do you do …
By Forrest
Taking a solo on Rhythm Changes isn’t easy. With the rapid changing chords and the typical fast tempo, this progression can be quite the challenge…but as the pros know, there are a ton of ways to simplify the chord changes to this infamous progression so that you can free up your mind to actually be …
By Forrest
When you’re first starting out on your journey learning how to play jazz, you’ll typically come across two different camps of how to go about things… One camp believes that you need a lot of music theory, particularly scales and modes, along with an understanding of how modes are applied to chords. Many refer to …
By Forrest
, Miles Davis, Modal
Always searching for a new sound to explore and share with the world, jazz musicians are constantly trying to evolve and push the music forward, reaching for something different and exciting… And this is exactly how modal jazz came about. Legends like Herbie Hancock, Bill Evans, Joe Henderson, Wayne Shorter, and Miles Davis began exploring …
By Forrest
, Bebop
Bebop is by no means easy, but if you know specific bebop tricks that the great players use, you’ll set yourself up for success. In today’s video, you’ll learn one of my personal favorite bebop tricks and I’ll show you exactly how to practice it with a series of clear exercises that you can download. …
By Forrest
Take The A Train is one of the most classic jazz standards you’ll ever come across. Composed by Billy Strayhorn, the tune quickly became the featured tune of The Duke Ellington Orchestra after his son Mercer Ellington found a draft of the tune in the trash… Clearly, Strayhorn was his own worst critic, so it’s …
By Forrest
For a long time, patterns in jazz have been popular as a way for jazz improvisers to expand their improvisational toolkit. You see, patterns have a natural order to them that make them perfect for many jazz different improvisation applications. But every great musician uses patterns in their own unique way… Today, we’ll be looking …
By Forrest
The jazz standard Blue Bossa is often referred to as a beginner jazz tune, but as you quickly find out as you start your journey into jazz, even these so-called “beginner” tunes are not easy to sound great on. Playing beautiful lines through the changes that connect and flow from one chord to the next …
By Forrest
, Minor
What if you had Sonny Stitt’s practice journal in your hands right now? All his genius lines and exercises written out. Everything, literally everything, complete with diagrams and descriptions of what he practiced…wouldn’t that be nice? Well, unfortunately, unless he’s your relative, chances are this will never be the case. You’ll never have those practice …
By Forrest
Phrasing is one of those things that everyone talks about, but most cannot clearly define. Like the concept of “swing,” it’s something you can feel and hear, but as soon as you start trying to use words to describe it, things get pretty ambiguous. First, let’s talk about musical phrases… In music, a phrase is …
By Forrest
Music theory is packed with quite a few dense explanations of esoteric concepts that plague the performer, and while music theory can be incredibly helpful to performing musicians, it has unfortunately steered so many players in the wrong direction. Recently we’ve had a handful of people write in asking about The Circle of Fifths and …