Inspiration for improvisers
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Jazz Advice and Tips, Jazz Education, Myths, Perspectives
Mastering jazz improvisation seems simple in theory. At least every great player makes it sound that way. And on paper it all looks pretty straight forward. Memorize the chords, learn a few scales, and listen to the masters. With a little practice and transcription you’re good to go – you can almost hear the dazzling …
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Whether it’s figuring out difficult double-time passages, navigating advanced technical lines, or even finding the motivation to do it everyday, transcribing can be difficult. Transcribing, while essential to learning to play the jazz language, is often one of the most demanding tasks to complete on a regular basis for improvisers. Two readers recently asked questions …
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At a certain point in your development as an improviser it becomes necessary to evolve beyond just playing “right notes” and using your favorite licks and move onto playing longer coherent musical phrases that develop over the length of your solo. This can be an especially frustrating stumbling block to overcome in that it takes …
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The harmonic and melodic aspects of practicing jazz improvisation take up the bulk of our time. Consequently, developing a strong sense of time falls by the wayside. I’m as guilty as anyone else, thinking that somehow, it would just take care of itself. Unfortunately, things don’t work that way… The people who have “great time” …
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Inspiration, Jazz Education, Jazz Standards
Why is it so difficult to learn jazz standards even when we have access to so much information about each and every one? We can bring up recordings with a few clicks of mouse via Youtube, we can find plenty of fakebooks with the chords and melody written out for us if we’re too lazy …
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Jazz Musicians, Jazz Standards, Playing Techniques, Premium Only
For a long time, patterns in jazz have been popular as a way for jazz improvisers to expand their improvisational toolkit. You see, patterns have a natural order to them that make them perfect for many jazz different improvisation applications. But every great musician uses patterns in their own unique way… Today, we’ll be looking …
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Ear Training, How to Practice Jazz, Inspiration, Jazz Advice and Tips, Jazz Standards, Premium Only, Rhythm, Scales, Transcribing
We often get a ton of great questions from our readers about what to practice. These inquiries range from players that are stuck in a daily musical rut to aspiring improvisers that simply don’t know the next step to take in the practice room. The truth is, every musician encounters frustrating days on their instrument …
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Inspiration, Jazz Education, Perspectives
Acrobatics is one of the most amazing things I’ve ever seen. The physical prowess needed to do even the most basic maneuvers is on par with that of the Incredible Hulk, while the necessary flexibility exceeds even that of a ballerina. Upon seeing my first live cirque performance in Montreal, La Clique, I knew that …
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Ear Training, Jazz Advice and Tips, Tunes
As a musician you know should be learning tunes…After all it’s the backbone of how you play with other musicians, speak the language, and share your musical ideas. But, the big question is: How exactly should you go about doing this? Right now you might be wondering this as you work to build your repertoire …
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Ear Training, Jazz Advice and Tips, Transcribing
Transcription can be a real struggle sometimes. Some days it feels like you can spend an hour trying to learn a few measures, and after a dozen frustrating attempts, you end up in exactly the same place you started. If this feeling rings a bell with you, you are definitely not alone. Many of the …
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Jazz Advice and Tips, Jazz Musicians, Perspectives
I used to frequent the Village Vanguard to go see my teacher Rich Perry perform all the time. As you gaze upon the walls of the Vanguard, you peer into the past…jazz legends, the inventors, live on the walls… You sit there in awe, knowing that at some point, they occupied the space you now …
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Composition, Ear Training, Visualization
The extent to which your aural imagination is developed, largely determines: the quality of lines you play, how you play those lines (articulation, swing feel, inflection), and the sound you play with. Nothing has such an impact on your playing than your aural imagination. If there were a secret to improvising, developing your aural imagination …