Inspiration for improvisers
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Chords, Composition, Ear Training, Jazz Standards, Scales
One of the most overlooked and useful elements of learning a tune is the way it’s put together on a macro level, the jazz form that the tune uses. Without this vital information operating in your brain on a deep level, you’re bound to get lost easily during your solo… You know how it goes…you’re …
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Chords, Composition, Jazz Advice and Tips, Music Theory
When I started learning how to improvise, the one thing I really wanted to figure out was how to create improvised lines like my musical heroes… Listening to players like Miles, Bird, Coltrane, and countless others, I wanted to learn exactly which notes to choose on a chord and how to turn these notes into …
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Jazz ear training – What makes it different from general ear training? That’s a great question and when a reader recently asked this, it definitely made me think. They both focus on intervals, chords, root movement, and have other common ground, but how are they actually different? Over the years, I’ve taken quite a few …
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How to Practice Jazz, Jazz Advice and Tips, Jazz Language, Playing Techniques
So you’ve finally realized the importance of jazz language and you’re starting to learn lines in all keys…it’s like a whole new world has opened up. More creativity. More possibility. More options…Done are the days where you randomly mixed notes up from a scale trying endlessly to improvise a lyrical melody over the chord changes. …
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Jazz Advice and Tips, Jazz Language, Jazz Musicians, Jazz Standards
Bebop language is at the very heart of jazz. From the classic beboppers to the crazy out players, every great jazz improviser has spent time absorbing, imitating, and developing timeless bebop language. There’s just something about the feel, phrasing, and voice leading of bebop language that’s crucial for every jazz musician to understand… And to gain …
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Composition, Jazz Musicians, Jazz Standards, Rhythm
Phrasing is one of those things that everyone talks about, but most cannot clearly define. Like the concept of “swing,” it’s something you can feel and hear, but as soon as you start trying to use words to describe it, things get pretty ambiguous. First, let’s talk about musical phrases… In music, a phrase is …
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Inspiration, Jazz Advice and Tips, Jazz Education, Premium Only
People will tell you all sorts of things about learning jazz improvisation. But no one tells you many of the things that could actually help you the most. As we practice jazz improvisation, we develop a concept of how we think we should go about learning things. This concept primarily comes from what our teachers, …
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Chords, How to Practice Jazz, Jazz Language, Visualization
After hours spent in the practice room are you still having trouble remembering the chord changes to a standard you endlessly practiced, or the details of a jazz line you drilled over and over? Why can’t you remember all this stuff, even after you’ve practiced it? Is the answer more practice, or might there be …
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Jazz Advice and Tips, Perspectives
Let’s be completely honest…My amazing teachers did tell me many of the things that I’m about to tell you…I just didn’t listen! Why didn’t I listen? I don’t know. Immaturity. Stubbornness. The belief that there had to be something else. Something more important. Something more complex. Something better, that mattered more… But these 8 pieces …
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Jazz musicians and educators constantly discuss the topic of jazz licks. It’s always up for debate…Should you learn them? Is it okay to play them over and over in your jazz solos? Does it matter where you get these licks from? If you’re discussing licks, you’ve already missed the boat. You don’t want to know …
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Blues, Jazz Advice and Tips, Jazz Language, Jazz Musicians, Jazz Standards, Transcribing
If you want to learn the language of jazz, then transcribing a blues solo should be at the top of your list! But if you’re just starting to transcribe jazz solos, the task might seem daunting or way over your head. In fact many beginners who want to play jazz completely shy away from transcribing …
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Believe me. I know how frustrating jazz improvisation can be. There have been many periods where I’ve wanted to quit for good. Never play again. Times when I’ve seriously considered putting my horn on Ebay, no reserve, shipping it off to an international buyer, somewhere far far away, and hanging it up for good… But …