Inspiration for improvisers
By
Inspiration, Jazz Advice and Tips, Jazz Education, Jazz Musicians
Music is meant to be heard live. There is no substitute for the visceral experience of sitting in an audience and soaking up a great live performance. Not only hearing the music, but feeling the physical vibrations of those melodies, chords and rhythms. Seeing the interaction between musicians as they collectively create music in the …
By
Blues, Chords, Composition, Jazz Standards, Music Theory, Perspectives, Tunes
Have you ever noticed how there’s a special group of improvisers that seem to know EXACTLY what to play over any tune at any time – no matter what it is? The key doesn’t matter, the tempo doesn’t matter, even the style of music doesn’t matter… You could blindfold them, fly them to a jam …
By
Jazz Language, Premium Only, Transcribing
You know that you should be transcribing jazz solos. That you should be learning the language of Bird, Miles, Coltrane, and Monk. You’ve heard time and again that it’s the unwritten “secret” to becoming a better improviser… The only problem is that transcribing is also frustrating, time-consuming, and with hundreds of solos to choose from, …
By
Chords, Composition, Jazz Advice and Tips, Premium Only
Learning jazz chords can be a frustrating obstacle on your path to becoming a better improviser. But what a lot of players forget is that the process isn’t just about memorizing chord symbols from a lead sheet and hoping for the best… The key to improving lies in understanding how each chord functions and developing …
By
Becoming fluent with jazz language is the key to unlocking your musical freedom when you improvise. It’s the missing piece of the puzzle. The lost ship. The thing everyone ignores… And it’s totally counter-intuitive… You copy, to sound original. You practice the same line over and over, to be creative. You use limitation, to find …
By
Jazz Advice and Tips, Premium Only
Have you ever felt like you’re missing a piece of the puzzle when it comes to improvisation? As if you’re following all the rules, yet still not playing the music you want to… Every musician has felt the sting of this frustration, especially when listening to all those important records and amazing players. It seems …
By
How to Practice Jazz, Jazz Language, Jazz Musicians
When you’re first starting out on your journey learning how to play jazz, you’ll typically come across two different camps of how to go about things… One camp believes that you need a lot of music theory, particularly scales and modes, along with an understanding of how modes are applied to chords. Many refer to …
By
Playing Techniques, Premium Only, Rhythm
It’s the subtleties of articulation that make melodies come alive. But, being so subtle, articulation is one of those concepts that’s difficult to grasp, or for that matter, even teach. And it’s personal. Nearly every player has their own distinct method of articulating, which yields a different result. With all this ambiguity, how can we …
By
Jazz Language, Jazz Musicians, Jazz Standards
The jazz standard Blue Bossa is often referred to as a beginner jazz tune, but as you quickly find out as you start your journey into jazz, even these so-called “beginner” tunes are not easy to sound great on. Playing beautiful lines through the changes that connect and flow from one chord to the next …
By
Remember the first time you played a modal tune like Impressions and how fun it was to wail over a minor chord? Maybe you’ve had this experience, or maybe it’s in your near future, but one thing is for sure: it’s fun just to let loose on a minor chord vamp and solo for hours! …
By
Jazz Standards, Premium Only, Tunes
You’re on stage. In the practice room. Or rehearsing with your friends. It’s time to run through yet another jazz standard. But here’s the thing, this time you’re not going play it like you always do. You’re done sounding like everyone else with a real book. It’s time to get creative on your own terms… …
By
How to Practice Jazz, Jazz Standards
Every musician has spent time in the practice room working on etudes. Diligently running through exercises that cover various techniques like articulation, the altissimo range, or diminished arpeggios. This is a good start for most players, but where does the jazz musician turn to develop the techniques that are essential for improvisation? After all jazz …