Inspiration for improvisers
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Chords, Composition, Jazz Language, Playing Techniques, Premium Only
Recently we received a question about non-standard progressions, specifically the type of progressions you see in Wayne Shorter and Joe Henderson tunes… These types of tunes are notoriously difficult, as they don’t seem to use the same predictable chord progressions that other jazz tunes do. A reader asks: When we’re learning, we go through a …
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How to Practice Jazz, Jazz Advice and Tips
Do you feel like you’re always trying to catch up? Like everyone else pursuing music started fifty steps ahead of you and the only way you’ll reach them is by moving as fast through the material as humanely possible? This is how most beginner to intermediate jazz improvisers feel and unfortunately, without addressing it, this …
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Learning a jazz standard or solo transcription can be a tricky process for any musician. But what many players forget is that you don’t have to tackle the entire piece of music at once… The truth is, taking one small section of a tune and studying how your favorite players approach it in a solo …
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Jazz Language, Jazz Musicians, Playing Techniques
Herbie Hancock is one of the greatest living improvisers. From his work with the great Miles Davis Quintet to his own musical explorations, he has spent decades evolving and pushing musical boundaries. But the thing that stands out most is his ability to craft a musical moment for the listener. To transport them out of …
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Blues, Jazz Musicians, Playing Techniques
Every serious improviser has to deal with the blues. From the players just starting out in school, to the musicians at local jam sessions, to the biggest names performing on international stages. Because the blues goes hand in hand with creating music in the moment. But unlike many players think, it goes beyond the blues …
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Inspiration, Jazz Advice and Tips, Perspectives
Over the years, in learning this music and working on improvisation, I’ve encountered a lot of educational information: how to learn, how to practice, which scales to use, how to learn bebop in a week, etc. Looking back, the hardest part can be deciding which method is best or which information to trust. Sometimes the …
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Jazz Advice and Tips, Jazz Language, Jazz Musicians, Playing Techniques
All The Things You Are is a timeless jazz standard…Charlie Parker, Stan Getz, Ella Fitzgerald, Sinatra…these are just some of the legends that recorded it. But with its traveling tonal centers and unfamiliar keys, this tune is sure to give every improviser quite a challenge! When it comes to figuring out the secrets to a …
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Jazz Advice and Tips, Jazz Education, Perspectives
In jazz education, one thing that you encounter right off the bat are rules. There seem to be rules for every aspect of the music: Which scales you’re allowed to use over certain chords, which chord tones you’re supposed to land on, how to correctly employ voice leading in a line, what notes to avoid …
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Jazz Language, Jazz Musicians, Jazz Standards, Playing Techniques, Transcribing
What if there were a jazz musician that didn’t rely on scales, licks, or patterns, but instead sought only to play what they’d sing? What would this musician sound like? What kind of playing techniques would they use and how would they approach taking a solo? This kind of musician is what I hear when …
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Composition, How to Practice Jazz, Perspectives
I practice a lot. Some days more than others, but I try to get in a couple hours everyday no matter how busy I am. In many jobs I’ve had, I’ve even been known to take my horn to work and sneak away in a spare room once everyone leaves. I bet your life is …
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Composition, Inspiration, Jazz Advice and Tips, Jazz Education, Perspectives
Everyone hopes to be perfect one day. Play with perfect intonation, the perfect sound, perfect lines…But what if I told you that the whole idea of perfection is actually what’s holding you back? That aiming for some self-imposed ideal of what’s perfect could not only be hurting your practice, but taking the fun and self …
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Playing Techniques, Transcribing
A magical thing happens when you listen to a recording of your favorite player and begin to play along with the record. It’s almost as if an unconscious transformation takes place, an instant instruction through aural osmosis. Simply by sitting by the speakers with your instrument and taking in those sound waves, you can instantly …