Inspiration for improvisers
By
Imagine that you’re strolling through an art museum on a lazy afternoon. Leisurely, you walk past magnificent paintings, weave between rows of sculpture, and meander through various galleries, each showcasing a bygone era of human artistic accomplishment. By chance, a particular painting catches your eye from across the room. You’re immediately struck by the realistic …
By
Chords, How to Practice Jazz, Jazz Language, Visualization
After hours spent in the practice room are you still having trouble remembering the chord changes to a standard you endlessly practiced, or the details of a jazz line you drilled over and over? Why can’t you remember all this stuff, even after you’ve practiced it? Is the answer more practice, or might there be …
By
Ear Training, How to Practice Jazz, Jazz Advice and Tips
There is one important part of practicing and learning any musical instrument or musical style that many players are unintentionally missing. A necessary skill that’s so obvious it often remains hidden in plain sight. It seems to be the same across the board from absolute beginners to college music majors. It doesn’t matter if you …
By
There’s one important idea that we must remember as musicians: When you practice, you create habits. Think about it, this is essentially the reason that we set out to practice in the first place. By consciously focusing on a single exercise or technique for hours at a time, we ingrain these skills on an unconscious …
By
Talent. It’s a word that’s thrown around in all professions and all parts of life. From sports and academics to art and music. And nowhere is it more prevalent than in jazz improvisation. We listen to the musical masters of the past century, we look at our teachers, the musicians at jam sessions and the …
By
Composition, Ear Training, Jazz Standards
Bebop “heads,” what jazz players sometimes call the melody of a tune, tend to be some of the trickiest and most technically demanding strings of notes you’re likely to encounter. Much busier than classic jazz standards, these intricate melodies are generally more difficult to learn, understand, and commit to memory. So what do you do …
By
Inspiration, Jazz Advice and Tips, Jazz Education, Premium Only
People will tell you all sorts of things about learning jazz improvisation. But no one tells you many of the things that could actually help you the most. As we practice jazz improvisation, we develop a concept of how we think we should go about learning things. This concept primarily comes from what our teachers, …
By
Inspiration, Jazz Advice and Tips
Here’s a collection of some of the best jazz improvisation educational video clips I’ve found. They include: Pat Martino, Jerry Bergonzi, Joe Lovano, Michael Brecker, Hal Galper, Joshua Redman, Bill Evans, John Scofield, Chris Potter, Billy Taylor, Joe Henderson, Kurt Rosenwinkel, Mulgrew Miller, Oscar Peterson, Terence Blanchard, Walter Bishop Jr., and Kenny Werner. Enjoy! Pat …
By
Jazz Advice and Tips, Playing Techniques
Transposition is a skill that all musicians will need at some point in their careers. Whether you play a transposing instrument or an instrument in concert pitch, there are inevitably going to be times that call for reading music or soloing from chord changes that are not in your key. Trumpet players, saxophone players, and …
By
Playing Techniques, Premium Only
After playing a tune for a while, it can seem like you are playing the same ideas or licks over the changes every time. For example, you see a D minor chord and think “okay D minor, I can play a D dorian scale or a D harmonic minor scale or arpeggiate from the third…” …
By
Ear Training, Playing Techniques
Being able to quickly hear, sing, and accurately identify intervals is essential to developing your improvisational ear. In this article, we’ve put together a plan for you to master your intervals in 28 days… For beginners, this will give you a much needed foundation. And for more advanced players, it will give you a chance …
By
Composition, How to Practice Jazz, Jazz Advice and Tips, Jazz Education, Transcribing
Since the time of Art Tatum and Charlie Parker, the practice tools of the jazz musician have consisted of three basic things: a room, your instrument, and a record player. If you wanted to get some work done in the shed, that’s all you needed… Nearly 70 years later, things are still the same for …