Inspiration for improvisers
By
In learning most anything, there’s an accepted and standard way of approaching the material. There exists a typical method that emerged over the course of many years. In many disciplines, this method came about through trial and error, meticulously analyzing what techniques have worked best to allow an individual to excel as quickly and efficiently …
By
Welcome to Jazzadvice! The name says it all. Jazzadvice is a rapidly growing collection of the best advice we’ve picked up along the way on our never-ending path of musical devlopment. Whatever it may be, no matter how seemingly simple or complex, it’s advice based on experience that will make you a better musician, a …
By
Playing Techniques, Transcribing
Transcribe, transcribe , transcribe. It is what you’ve been hearing since you started to learn how to improvise…and for a good reason. Transcribing is one of the best ways to learn the stylistic language of jazz, improve your ear and in short, become a better all around improviser. The mere act of learning a solo …
By
Ear Training, Jazz Advice and Tips, Perspectives
There are really two areas of musicianship, aside from technique on an instrument, that a jazz musician requires to be a complete improviser. One is developing great ears and the other is an intellectual understanding of harmony. These two qualities can especially be found among the countless innovators of the music. Take the musicians of …
By
Here’s a thought. What if you could go back in time and take a lesson with John Coltrane? Yes, that John Coltrane. I mean drive up to his home in Dix Hills, knock on the door, politely say hello to his wife, and walk in past the stacks of staff paper and saxophone mouthpieces into …
By
There are certain components to playing jazz that must be happening for any line to sound good. These overlooked skills are what make a line shine. If you get these things together, suddenly you’ll realize that everything you play sounds a whole lot better. Achieving solid intonation For some reason, jazzers feel that intonation is …
By
Jazz Language, Perspectives, Transcribing
Imagine that you’ve just stepped off a plane in a foreign country. You grab your suitcase and step onto the soil for the first time and suddenly you’re filled with a sense of excitement and anticipation. What new sights, new sounds, unusual food, and interesting people await you in this strange new place? Your mind …
By
Inspiration, Jazz Advice and Tips
As a musician or any other creative individual, we get so wrapped up in what we are doing, that we often lose sight of everything else. Consequently, when something within our own little bubble is not going how we would like it to, our positivity plummets and our world comes crashing down. Here are some …
By
Chords, Composition, Playing Techniques
Sus chords on tunes like Herbie Hancock’s Maiden Voyage can be pretty confusing for the developing improviser. Is it a normal dominant chord? What’s special about it? Do you need a new scale? Are you allowed to play the third of the chord? After studying and transcribing solos of some of my favorite players over …
By
Jazz Advice and Tips, Jazz Language, Transcribing
The extreme ranges of any instrument express extreme emotion, but they’re not easy to tackle. The high register is notoriously difficult on most instruments and the low register is often under-developed and under-utilized. The standard approach towards these registers is to extend your scales and arpeggio exercises as high and as low as you can. …
By
Jazz Advice and Tips, Jazz Language, Jazz Musicians, Jazz Standards
Bebop language is at the very heart of jazz. From the classic beboppers to the crazy out players, every great jazz improviser has spent time absorbing, imitating, and developing timeless bebop language. There’s just something about the feel, phrasing, and voice leading of bebop language that’s crucial for every jazz musician to understand… And to gain …
By
Jazz Advice and Tips, Jazz Musicians, Playing Techniques, Premium Only, Transcribing, Visualization
It sounds so complex. So difficult. So advanced. Great jazz musicians sound as though they’re implementing highly complex and difficult concepts that mere mortals could never hope to access, but in reality, professionals think simpler than you’d ever imagine. It’s the beginners and intermediates who study the pros and abstract what they think is going …