Inspiration for improvisers
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Jazz musicians and educators constantly discuss the topic of jazz licks. It’s always up for debate…Should you learn them? Is it okay to play them over and over in your jazz solos? Does it matter where you get these licks from? If you’re discussing licks, you’ve already missed the boat. You don’t want to know …
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The torrential rain won’t stop. Day after day it pours, keeping us inside. After an epic winter, the weather lightens up and the sun soaks up the moisture on the rocks. Finally, rock climbing season is in full swing. I make the trek up to the boulders, chalk up my hands, and go to town. …
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Chords, Composition, Jazz Language, Playing Techniques, Premium Only
Recently we received a question about non-standard progressions, specifically the type of progressions you see in Wayne Shorter and Joe Henderson tunes… These types of tunes are notoriously difficult, as they don’t seem to use the same predictable chord progressions that other jazz tunes do. A reader asks: When we’re learning, we go through a …
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Jazz Advice and Tips, Jazz Language, Jazz Musicians, Playing Techniques, Transcribing
Recently I’ve been studying and transcribing a lot of Miles from around 1956-1957. Albums like Cookin’, Relaxin’, and Workin’. More than the notes or the harmonic devices in his solos, the one thing that sticks out about Miles is his sense of phrasing. This is what sets him apart and why so many listeners connect …
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Perspectives, Playing Techniques, Transcribing
Transcribing can be beneficial no matter how you do it. Often when I go to transcribe, I like to have a specific goal in mind of what I am aiming to accomplish, making for rapid improvement in areas that need the most work. It’s essentially a problem/solution approach: Identify what problems you’re having Find the …
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Composition, Jazz Musicians, Jazz Standards, Playing Techniques
Creativity in its most basic form is simply the act of taking something old and making it new. Whether you’re a novelist, an architect, an engineer or an improviser, artistic creation stems from a desire to make something new within the existing confines of your craft. To put a personal stamp on your art form …
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Jazz Musicians, Jazz Standards, Premium Only, Tunes
All the Things You Are is one of the first tunes musicians learn when it comes to jazz improvisation. But unlike many players think, it’s not exactly an “easy tune” or something that only beginners should play… This is especially true of the Bridge of this popular jazz standard. Hidden within these eight bars are …
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Chords, Composition, Jazz Language, Premium Only
As the article last Wednesday discussed, learning to apply language to tunes is crucial because it puts the language into context, allowing your ears and fingers to gain an understanding of how to integrate the language into your overarching concept. Over time, the language you practice this way will spontaneously materialize in new form, surprising …
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Jazz Advice and Tips, Jazz Standards
Some tunes seem to make absolutely no sense, like the chords changes are some random crazy collection of complex sounds…But with a little know-how, using the same tactics we showed you in our recent lesson on learning tunes quickly, even the most difficult tunes can be deciphered in just a few minutes. Today’s lesson comes …
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One thing we’re all accustomed to in this day and age is results with a limited amount of work. From daily tasks to larger life goals, this mentality has been ingrained into our collective mindset. Put in a set amount of effort and time and you’ll reach your goal, getting the exact results you’ve envisioned. …
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Jazz Advice and Tips, Jazz Standards, Premium Only
What if I told you there’s a simple little trick to learn chord changes to a tune in a just a few minutes? That the countless hours you’ve spent reading tunes out of the Real Book can finally come to a close and you can begin to have chord changes live in your head, where …
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Chords, Jazz Language, Premium Only
You’ve heard about the scales. You understand the music theory. And you’ve even played through the patterns in a few exercise books. But when it comes to actually improvising with the diminished sound, something is missing. Well, today we’re going to show you how to bridge that gap… You see, scales, shapes, patterns, and harmonies …