Inspiration for improvisers
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Chords, Ear Training, How to Practice Jazz, Jazz Advice and Tips, Playing Techniques, Premium Only, Scales
Can one note really change your ears and improve your creativity? Surprisingly, the answer is yes. But let me explain…A few years ago I took a lesson with the great trumpet player, improviser and composer Ingrid Jensen. As I hopped on the the N train and headed to the lesson I looked over my practice …
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Composition, Ear Training, Jazz Standards
Bebop “heads,” what jazz players sometimes call the melody of a tune, tend to be some of the trickiest and most technically demanding strings of notes you’re likely to encounter. Much busier than classic jazz standards, these intricate melodies are generally more difficult to learn, understand, and commit to memory. So what do you do …
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Jazz Advice and Tips, Jazz Language
Practicing lines in all keys is a must, but it’s not that easy or even clear why it’s so important in the first place. Many years ago, I remember trying to take a ii V line through all keys on the saxophone and it was really difficult. I’ve even had several decent players tell me …
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Chords, Composition, Jazz Language, Transcribing
You hear it over and over. Just transcribe. You want to get better? Transcribe. You want to have a better sound. Transcribe. Can’t seem to play over Rhythm Changes? Transcribe. And yes, when people tell you this, they’re correct. You can learn pretty much anything you want from transcribing. But, what they don’t tell you …
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Jazz Advice and Tips, Visualization
One of the most frustrating feelings I have, is to get to the end of the day and realize that I haven’t practiced enough, or even worse, that I haven’t even touched my instrument. Whether it’s because of appointments, travel, school, or work commitments, it seems like there is always something getting in the way …
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Chords, How to Practice Jazz, Jazz Advice and Tips, Jazz Language, Jazz Standards, Playing Techniques, Scales, Transcribing
Imagine that you’re a construction worker. You’ve just pulled yourself out of bed at 4 a.m. and slipped on your steel-toed boots. As you stretch your tired legs you let out a sigh as another long day looms on the horizon. No worries, nothing you can’t do after a strong cup of coffee. You arrive …
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Blues, Jazz Advice and Tips, Jazz Language, Jazz Musicians, Jazz Standards, Transcribing
If you want to learn the language of jazz, then transcribing a blues solo should be at the top of your list! But if you’re just starting to transcribe jazz solos, the task might seem daunting or way over your head. In fact many beginners who want to play jazz completely shy away from transcribing …
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Jazz Advice and Tips, Jazz Language, Jazz Standards
After countless hours in the practice room, you’ve finally managed to transcribe one of your favorite players. You figured out a particular line that caught your ear, and now you’re learning it in all keys. You’re making great progress! But even after all this work, when you go to improvise you’re still playing the same …
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Jazz Language, Premium Only, Transcribing
You know that you should be transcribing jazz solos. That you should be learning the language of Bird, Miles, Coltrane, and Monk. You’ve heard time and again that it’s the unwritten “secret” to becoming a better improviser… The only problem is that transcribing is also frustrating, time-consuming, and with hundreds of solos to choose from, …
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How to Practice Jazz, Jazz Advice and Tips
We all have those days in the practice room…days where you can’t seem to get anything right. Where you’re fighting your instrument and you want to scream… I’m sure you know the feeling of a frustrating day in the practice room. It’s frustrating because you’ve set aside time in your day specifically for practicing and …
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Ear Training, Jazz Education, Myths, Perspectives, Playing Techniques
Things are not always what they appear to be. Sometimes the standard advice does not get you where you want to go. Here’s an idea: approach what you’re trying to achieve by doing the opposite. Now, this won’t work for everything, but it very well may solve the nagging problems you just can’t seem to …
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Chords, Composition, Ear Training, Playing Techniques
Many chords are pretty easy to understand. But dominant seventh chords with an assortment of alterations…they’re a whole different animal! What’s with all this b9, #9, b13, #11, b5 stuff! There seem to be a million ways you can alter them and so many available scales. And even when you know the theory, playing over …