Inspiration for improvisers
By
Chords, Composition, Ear Training, Playing Techniques
Recently we’ve gotten a few questions regarding chord tones: how to work on hearing them, how to aim for them in your lines, and how to connect them when you’re improvising over a chord progression. Understanding the sound and function of chord tones is important to your success as an improviser. However, it’s important to …
By
Doxy is one of those classic Sonny Rollins tunes that gradually made its way into the jazz standard repertoire. Originally recorded in 1954 and released on the album Miles Davis with Sonny Rollins, its compact form and changes make for a great improvisational vehicle. And today, Doxy has become one of the most recommended tunes …
By
Chords, Jazz Musicians, Playing Techniques
Minor chords are found in every style of music, especially in the jazz repertoire. From popular jazz standards and the minor blues, to the ii-V-I progression and the minor vamps that pop up in numerous tunes… The truth of the matter is if you want to sound good in any sort of musical situation, you …
By
We often talk about jazz language and how a primary way to integrate it into your playing is by applying that language to specific parts of tunes. By forcing yourself to use some piece of language over a tune in predetermined spots, your ear and your fingers learn how to put that piece of language …
By
Chords, Perspectives, Playing Techniques
A reader recently wrote us asking about what we think about while we improvise. He writes: “I’m a tenor saxophonist and still pretty new to the whole improvising scene. I was wondering what musicians “think” in their minds while improvising. Are you consciously focused on the scales and chord structures? Or do you just not …
By
Ever spend a lot of time learning a tune, only to realize that you’ve completely forgotten it a few weeks later? When you’re not achieving your desired results in pretty much anything, check your methods. What’s your process? What’s your approach? After detailing your current methods, you can then easily modify them to realign yourself …
By
Inspiration, Jazz Education, Jazz Standards
Why is it so difficult to learn jazz standards even when we have access to so much information about each and every one? We can bring up recordings with a few clicks of mouse via Youtube, we can find plenty of fakebooks with the chords and melody written out for us if we’re too lazy …
By
Jazz Advice and Tips, Jazz Musicians, Premium Only, Transcribing
Sonny Rollins is one of those rare musical masters that seems to have it all figured out when it comes to improvisation. And if you’re a musician that’s been searching for the missing answers to improve your solos on the jazz repertoire, he’s the perfect player to study. …especially if you’re trying to develop your …
By
Chords, Composition, Ear Training, Jazz Advice and Tips
A reader recently wrote: “I was reading your “6 mistakes” article and was intrigued by the first rule. I would be more than happy to toss my lousy sixth edition real book, but have some questions about learning tunes by ear. When I’m blowing through changes or learning licks, it all comes down to the …
By
Ear Training, Jazz Advice and Tips, Perspectives, Playing Techniques, Transcribing
I’m always trying to learn new bits of language.” – Michael Brecker. There are a lot of things to practice. What is truly vital to practice if you want to get better at improvising? Plain and simple: Language. Spending time with the actual language of jazz, the recordings of the greats, should be your number …
By
Jazz Advice and Tips, Jazz Standards
Learning tunes is a key part of every jazz musician’s practice plan, but one thing that can really help motivate you to learn a specific tune is to understand why that particular tune is so important. You see, each jazz standard contains vital pieces of information… Some have a lot of ii V7, while others …
By
Composition, Ear Training, Visualization
The extent to which your aural imagination is developed, largely determines: the quality of lines you play, how you play those lines (articulation, swing feel, inflection), and the sound you play with. Nothing has such an impact on your playing than your aural imagination. If there were a secret to improvising, developing your aural imagination …